td wrote:aga vaat selle ansambli fenomenist pole ma kunagi aru saanud. No lihtsalt ei saanud, kuigi mõned tuttavad kummardasid ja kaifisid. Ainuke lugu, mis mulle nendelt meeldis:
https://www.youtube.com/watch?v=UFyIDfgStOQ
nohh, ja sellel polnud ka väga viga:
https://www.youtube.com/watch?v=z_BtPxZEwiQ
(Aga tagantjärgi on kõik see üks maitsetu tinistamise show, minu meelest)
td wrote: Mis asi see veel on?
https://www.youtube.com/watch?v=q7reSQd3uiA
td wrote:aga vaat selle ansambli fenomenist pole ma kunagi aru saanud./.../
pop wrote:tavakõrva jaoks (mitte et mul mingi erikõrv oleks) arvatavasti talumatu müra on selline.
Miskipärast meeldis mulle seda keskkoolis kuulata 4x jutti (kui mitte rohkem), nagu ka mitmeid muid nende varasemaid lugusid (vist mängis oma rolli ka see et klimberdustrennis sai päris kõvasti käidud).
pop wrote:td wrote:aga vaat selle ansambli fenomenist pole ma kunagi aru saanud./.../
Siin jään ma veidi eriarvamusele. Ega kõik lood ei saagi ideaalsed olla, ja reeglina on ansamblite algusaegade looming ideid rohkem täis kui hilisem, nt see mõjus omal ajal ilmselt vägagi värskena
Sensors under the playing surface respond to finger position and pressure in three dimensions and provide pitch resolution of one-tenth cent along the length of the scale (the X dimension), allowing essentially continuous pitch control for portamento effects and notes that are not in the chromatic scale, and allowing for the application of vibrato or pitch bend to a note. A software "rounding" feature enables pitch to be quantized to the notes of a traditional equal-tempered scale, just scale or other scale to facilitate in-tune performance, with the amount and duration of the "rounding" controllable in real time.
The Continuum also provides two additional parameters for the sound: it is able to transmit the finger pressure on the board as a MIDI value, as well as the finger's vertical position on the key. These parameters are independently programmable; a standard configuration is where position on the X-Axis (lengthwise) on the instrument corresponds to pitch, position on the Y-Axis (widthwise) corresponds to a timbre shift, and position on the Z-Axis (vertically) corresponds to a change in amplitude. The Continuum is capable of polyphonic performance, with up to 16 simultaneous voices.
Each recent revision has brought more features and sound diversity to the internal synthesizer in the Continuum Fingerboard. As such, the instrument is starting to be both a controller and a stand-alone instrument.
Back in 1999 I had a girlfriend show me how much power women have. I was moving out of a house we rented together and the relationship was over. The plan was that she would go to work and I'd be gone when she got home. Painless for both of us right? She ended up not going to work that day and stayed home and got drunk... and got in my way of moving out. She tried to wrestle a moving box out of my grip (she was 105lbs and I was 240) so... I let go of the box and of course she went tumbling. I grabbed another box and chuckled my way out to the truck. When I came back in for another load she was on the phone with 911. I spent that night in jail and had to go to Anger Management classes once a week ($50 each time) for the next full year! I lost my job because of it... she destroyed all of my shit in a fit of rage while I was in jail... she walked away after thoroughly *F*ing up my life without so much as a smudge on her conscience.
"You never really know a woman until you meet her in court"
Time, flowing like a river
Time, beckoning me
Who knows when we shall meet again
If ever
But time
Keeps flowing like a river
To the sea
Goodbye my love,
Maybe for forever Goodbye my love,
The tide waits for me
Who knows when we shall meet again
If ever
But time
Keeps flowing like a river (on and on)
To the sea, to the sea
Till it's gone forever
Gone forever
Gone forevermore
Goodbye my friends,
Maybe forever
Goodbye my friends,
The stars wait for me
Who knows where we shall meet again
If ever
But time
Keeps flowing like a river (on and on)
To the sea, to the sea
Till it's gone forever
Gone forever Gone forevermore
Maailm ei tunne sinu valu,
Võõras on talle sinu piin
td wrote:kuulake siit: https://youtu.be/ELJk9Mf_Tbw
td wrote:/.../Vaiko on asjast õigesti aru saanud
pop wrote:Analoogia põhjal (ümberpöördult) vist siis ka ümbritseva eeldatavat suhtumist iseendasse võiks kopeerida ka enda suhtumisele ümbritsevasse.
Või siis lühemalt - ma suhtestun millegiga teadmises et see miski suhtestub kuidagi ka minuga.
td wrote:/.../Juhul, kui neil on mingi empaatiavõime ja kaastunne, siis seda tuleb võtta kui positiivset üllatust./.../
spl wrote:Täiesti haige, inimesed ongi mõneti haiged ja kommerts on nad haigeks teinud. Miks peab jõulud olema aeg, kus tuleb osta ennast vaeseks ? Parim kingitus, kui oled oma perega ja naudid head sööki ning küünlasära. See kommerts-saast mul tegelt jõulutunde ära rikkunud, tahan et need kiiresti saaks läbi.
FOTOD JA VIDEO | pühade ostuhullus on alanud: kaubanduskeskuste parklad on puupüsti täis, vaba koha leidmiseks kulub pool tundi
http://arileht.delfi.ee/news/uudised/fotod-ja-video-puhade-ostuhullus-on-alanud-kaubanduskeskuste-parklad-on-puupusti-tais-vaba-koha-leidmiseks-kulub-pool-tundi
projekteerija wrote:/.../Saksa erootikakaupade kett (saksa naislenduri poolt asutatud ja nimeline) on makseraskutes./..../
pop wrote:et siis $19000
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